Showing posts with label CMF 2010. Show all posts
Showing posts with label CMF 2010. Show all posts

Thursday, March 18, 2010

Sexism.

Guys and gals, let's try and do better, shall we? Exclaim! recently put up this review on its website:

All-female indie popsters Vivian Girls make no bones about what they do: low-fidelity garage rock steeped in amateurish pop. Key word? Amateurish. If these band members had penises, people would say they suck. However, they're empowered femmes who hold their instruments in that painfully awkward way only novices can, and are adored for it kind of like when the Donnas were first starting out, without the cool tunes, mind you. Their simplistic songs relayed in a pseudo-enthusiastic, trashy, loose way were amusing even if they lacked any true substance, but who needs something as unnecessary as meaning when you're that cute, right? Naturally, the crowd was raving even though this trio were clearly the least talented act on the evening's bill.

It then received a letter to the editor saying that the review was "half-assesd music 'journalism'" that was "offensive and sloppy," "chauvinistic," etc. The letter was not, I don't think, particularly on point, but there is an important point to be made here. And that point has nothing to do with personal musical taste, hype, the merits of the band in question, their adeptness with their instruments, or anything else like that. It has to do with the words Keith Carman used in his review, and how they betray his sexist attitude toward the band. But I don't mean to harp on Keith alone. I suspect few people would be able to point out where he went wrong.

Why are the words "trashy" and "loose" in this review? Both are generally gendered female---as in, they are words that are almost always used to refer to female beings and objects we think of as female. By using those words, he's very nearly called the members of the Vivian Girls sluts and whores, in addition to "amateurish," "painfully awkward," "pseudo-enthusiastic" novices with simplistic songs that lack substance.

One may certainly take issue with his non-gendered characterizations, but though they may be insulting and possibly uncalled for---I am not in a position to comment on them because I wasn't at the show---it's the gendered language that really offends. And there should be no place for this language in a review. Or anywhere.

No one's perfect, and I've surely been guilty of sexist language myself. My point is that we need to learn to recognize it when we see it, take note, a deep breath, and try not to do it the next time. But judging from the Facebook comments, people don't even see what I see. This is a real shame.

Tuesday, March 16, 2010

Watch this: Timber Timbre (live), Dan Mangan (live), Jason Collett / Zeus / Bahamas (live), IndieCan CMW footage.

This is why Timber Timbre's set at the Great Hall was brilliant last Thursday, and why I was SO mad at the few people who insisted on talking through it. Damnit people, pay attention! Stunning arrangements. Don't mind the bad lighting. Live, it had the right effect.



The crowd at the Great Hall was even more chatty during Dan Mangan's set, a real shame, but he got everyone involved during his last song, "Robots." Here's some live video of that song from Dan's set at Criminal Records on Saturday.



Jess over at RoundLetters captured this encore song at last Wednesday's Bonfire Ball featuring Jason Collett, Zeus, and Bahamas. All night they'd been playing their own tunes, and so this one came as a big surprise. And an awesome one! Kylie Minogue!



IndieCan Radio put together this 10-minute montage of CMW footage, featuring snippets of live performances and some of the conference events.

Monday, March 15, 2010

Watch this: Brian Borcherdt (live), Hooded Fang (live), The Magic (live), Still Life Still (live).

Here are some videos of live performances during last week's Canadian Music Fest (and related afterparties):

One of the shows I'm sad to have missed was Friday night's Music Gallery show featuring Brian Borcherdt, Julie Fader, and Postdata. Here's some of Brian's set. blogTO's Matthew McAndrew has more videos of the night on his vimeo page.



Hooded Fang performed on Thursday night at the Drake Hotel with some great bands. Justin Beach was there. The band sounds amazing! A full-length should be out later this year. Excited! Hooded Fang's songs have a tendency to get stuck in my head for hours. And that's a good thing. NxEW.ca's YouTube page has more videos from CMF.



Colin Medley captured this footage of the Magic performing at a Friday night afterparty last week in some "weird tomb" on Ossington. Great tune! Sorry I missed the party. (Woodhands ended at about 3am, and then I went for breakfast.)



Still Life Still performed at another afterparty on Saturday night. I also opted out of this time. In fact, I didn't make it to any afterparties this year. Oh well.

CMF 2010: Day 5 roundup.

I am surprisingly not overly tired or sore and less enraged than I was a few hours ago. I can thank the awesome Born Ruffians and food at Sneaky Dee's with friends for the latter.


The last day of the festival didn't have too much on offer, but with Born Ruffians playing the Phoenix, there was no question that's where I'd be. I arrived early, happy to get to see the first opener Parlovr, and knew there'd be lots of friends in the crowd. So, good mood. But then "mandatory coat check" signs everywhere. I tried (twice) to ignore them, but the guys at the club weren't having any of it. What the fuck, Phoenix? You want to make more money on a show, you charge more to rent out your space, and I pay more for my ticket. You don't REQUIRE me to give you $2.50 once I show up with NO advance warning. Seriously, fuck you. (Sorry, kids. I'm mad.)

Parlovr looked great and sounded pretty good up there, with appropriate banter and tons of energy. I wish I'd seen them perform in a much smaller venue this weekend, but I've seen them do that a couple times already. Next up, Young Rival, whose Beatles'-inspired rock just didn't do it for me. No hate, but no real love from me, either. But it could very well just be my foul mood.

And then Born Ruffians. Once they started---actually, before they started and once the screams from the all-ages audience began---my spirits were instantly lifted. Performing as a four-piece with the addition of Andy Lloyd on keys, tambourine, and guitar, the guys sounded great. I was so bummed about the stupid venue that I was starting to regret coming at all, but for an hour or so, all was forgotten. Luke Lalonde, Mitch DeRosier, Steve Hamelin, and Andy performed a few new songs, plus some old favourites off their 2008 album and 2006 EP. I was reminded again how good lead singer Luke is, and how important bassist Mitch is to the band, both as a musician and an on-stage presence. The girls may scream for Luke, but Mitch knows how to get the crowd revved up. The additional instrumentation blended in well with what we're used to hearing (on the recordings), and I loved-loved the 4-part vocal harmonies the band pulled out a few times. Very impressive.

I'll have a fuller review up on Sticky Magazine (with photos! Of Luke [probably]!) at some point next week. And I'll let you know some of my thoughts on this year's Canadian Music Fest in another future post, too.

Sunday, March 14, 2010

CMF 2010: Day 4 roundup.

My feet hurt. But my belly is full, and my heart is dancing. Or something. Also, I'm tired.


I cancelled all my old plans, opting to stay in during the early part of the evening and then hit up the Drake for Grand Analog and 84.85. And good thing, too. Nothing beats Woodhands, but these guys came pretty close. GA was so much fun! At first I was a smidge wary of some early tropical beats, but I was quickly won over, and just as quickly dancing up a storm. Their set was loads of fun. Odario Williams and crew ended with their awesome "I Play My Kazoo," which brought the house down. Actually, the whole set seemed to bring the house down. Lots of love in the crowd for these guys, and rightly so. I'm so glad I finally go to see them! Plus, I got to high-five Odario twice (once on stage, and once at Poutini's after the show). He called me "hot pants," in reference to the very pink skinny jeans I was wearing. Eat your hearts out, ladies.

84.85 may not look the part, but they too brought the party. Their sparse stage set up---DJ and rapper---was soon augmented by dancing women. One woman in particular was some kind of dancing hype girl, and oh my can she ever dance. The three of them really got the crowd revved up, and all of a sudden the stage was filled with people. I recognized one hit song from the time I saw these guys a couple years back at Tiger Bar. What a ways they've come! Great set. I didn't realize I had all those moves in me . . . .

Now, the Drake isn't really a place I venture to very often. And tonight reminded me of why. No offense to y'all, but the occasional show aside, I'm happy to leave this place to the 905ers. (Wow, I'm a snob.) The heels and bare legs and cleavage was bizarre. The muscled men were equally so. Indie kids are much more clothed and much less large. But definitely a good time. I went for poutine afterward, then cabbed it home. (Still raining.) Now, to bed.

Born Ruffians and Parlovr tomorrow!

Saturday, March 13, 2010

CMF 2010: Day 3 roundup.

Tonight's highlight---and the concert highlight of the past several months at the very least---was Woodhands' set at Wrongbar. My God, I love this band. They were awesome. Just fantastic.

Also, it's really late now and my brain is only partially working. I mean . . . I don't know what I mean. It's late.

Earlier it was raining, and that combined with other stuff meant I ditched my plan to go to the Music Gallery for Julie Fader, Brian Borcherdt, and Postdata. Another time. Instead, I took transit all the way out to Wrongbar, getting there to catch a nice big chunk of Jeremy Glenn's set. Slightly cheesy, maybe, but the band was totally pulling it off. The place was pretty sparsely populated, but a few people were dancing. I would not mind seeing them again.

But now it was apparent that the YYZ Records showcase was running late, since Glenn didn't end until about 11pm, when the next band was set to start. I wasn't concerned, though it did mean I would have to stay out later than I had hoped. Next up was Madrid, a group I'd been hearing good things about and had a vague notion that I should probably check out at some point. Good stuff. They had the slower bedroom electro pop thing down, and I was grooving.

Vitaminsforyou were next. This is another band---well, sometimes it's a band---that I'd been meaning to see, in part because I know Robbie Butcher is the drummer when there's a drummer. And Robbie is awesome. So very awesome. Also in the band (as the bassist) was Jordan Kern, who DJs at Yacht Rock, my favourite dance party. So, even before the band started to play, I knew I would like what was to come. And I did. I wish I was less tired and had the ability to describe the bizarreness of masks, black feather epaulette-things, lights-for-eyes, face-paint, smoke, and etc. I make it sound weird, and weird it was, but it also worked, and after a bit the crowd seemed to be really into it. I certainly was. More dancing. Fun times. Will see you again, v4u!

By now it was after 1am, when the "secret guest," ie. Woodhands, was supposed to go on. After all their equipment was set up it was about 2am and the bar must have been pretty full. It felt like it up at the front, where I had parked myself in anticipation. It's been too long since I've been at a proper Woodhands show. And by proper I mean Woodhands performing in a space and place that suits their style. Wrongbar fits that bill pretty perfectly. (They did their first CD release party there back in 2008.) I was excited, and so was everyone around me. The band performed a few songs off their 2010 album, Remorsecapade, and some hits from their first record, Heart Attack. Maylee Todd joined in on "Dissembler" and "Dancer," another rare treat these days.


There was some serious dancing and bumping happening all around the stage. From my vantage point I couldn't see much else, but I'd like to think hundreds of people were happily letting loose. I know I was.

The night wasn't over at Wrongbar, but my time there was. A couple friends and I went to grab greasy 3:30am breakfast at Mars across from Sneaky Dee's. And now it's really late. Goodnight.

More tomorrow!

Friday, March 12, 2010

CMF 2010: Day 2 roundup.

Yesterday's discovery was Jason Collett's hotness. Today's was Kidstreet's awesomeness. Kidstreet! So good! So fun! I danced!


The night started off at the Great Hall. A couple friends and I---wisely, as it turned out---arrived at about 7:30pm, a half hour before scheduled door time, and an hour before actual door time. And a good thing, too, because only a handful of pass- or wristband-holders got in after we did. (Only 30 were accepted.) Why so popular? This was an Arts & Crafts showcase featuring Timber Timbre, Dan Mangan, and Sally Seltmann, who came all the way from Australia.

Seltmann was on first, performing nice pop tunes that didn't have a huge impact on me, but that I'm sure I'd enjoy in my living room. But the Great Hall is not my living room, and that being the case, the audience wasn't really paying attention. Too bad, and damn rude, to my mind. Why come to a show just to talk through it? Why put on a show just to talk through it? Bah. The talkers didn't quiet down much during Dan Mangan, who's star has been rising since winning a bunch of money back in September. He was louder, though, and maybe his warm on-stage personality had something to do with why fewer people were talking through his set. He ended things off with a rousing rendition of "Robots," which featured a great sing-a-long. Good set; I'd like to see more. I think a show of his could well be outstanding.

Timber Timbre was clearly the night's main draw. The place was pretty packed by the time he---Taylor Kirk and his bandmates, including Mika Posen on violin and Simon Trottier behind a lap steel and synth---started playing. We were treated to a long set; it was well over an hour. The band performed a handful of songs off their fantastic self-titled album (2009), as well as a few older tunes. We got extended versions, and the arrangements were fantastic. The effect was nearly mesmerizing, certainly haunting, and only sullied by (you guessed it) a few determined talkers. Otherwise, perfect. Big cheers and a nice two-song encore.

Seeing as how TT went into the midnight hour, I had some time to kill, and slowly made my way to Sneaky Dee's, where I was looking forward to catching Kidstreet at 1am. I've heard lots of good things about this Waterloo trio, but had yet to see them play. And they were awesome! They got a record coming out soon, and I will clearly need to investigate it and them further.

I stuck around Sneaks for Times Neue Roman, and though it seemed like they had some good rhymes and tricks up their sleeves for later in the set, I bailed after 10 minutes. I wanted to show some love to Sandman Viper Command and my friends over at the Audio Blood showcase, so off I went to the El Mo. I saw most of the young Burlington band's set, and was happy I popped in to see how things were going. Neither Sneaky Dee's nor the El Mo were anywhere near capacity when I was there, but everyone seemed to be in good spirits and in a party mood. Must be what kept me awake.

Now I sleep. Tomorrow I ponder my options. Woodhands is the secret guest at Wrongbar at 1am. (Why am I telling you this!?) I must---must---be there.

Thursday, March 11, 2010

CMF 2010: Day 1 roundup.

My ass is kicked, internet friends. The Bonfire Ball at Lee's Palace did this to me. Thanks to Bahamas, Zeus, and Jason Collett, I would like this festival to be over now. I need to sleep.

My plan for the first day of Canadian Music Fest was to take it easy: go to one show, and one show only. Leave the show-hopping for later, in an effort to conserve energy. But 3 hours and 44 songs later, I am spent. The show was put together as a revue, and so other than a short intermission, the band(s) played the entire time, everyone backing up everyone else. It was great! The Bahamas tunes---including many new songs that aren't on his record---sounded awesome, especially when there were 4 guitars going at the same time! The sound set-up (at least from where I was standing) didn't benefit Zeus as much as it should have been. The organ was occasionally too high in the mix, while whoever was singing while playing the keys was usually not mixed high enough. No matter, though. It was awesome how the crowd seemed to love all the artists; Bahamas, Zeus, and Jason Collett all got big cheers. Jason Collett was in fine form . . . and I really do mean that. My goodness, that man is sexy.

Seriously.

This Bonfire Ball tour is heading out to lots of other cities. Go! Three hours of great music and amazing musicianship. But hope for a theatre show. It's a lot to take in.

I'll have a proper review of the show up at Sticky Magazine at some point in the future. Now I must sleep and gear up for show-hopping Thursday night.

Wednesday, March 10, 2010

CMF 2010: Where others will be!

I put up my tentative schedule for Canadian Music Fest yesterday. Here's where some of my bloggy colleagues are hoping to (or recommending you) be:


Sticky Magazine (including Pete Nema, Whitney Pineault, and me)
Indie Music Filter (Chris Budd)
Chromewaves (Frank Yang)
For the Records (Michael Ligon)
BlogTO (Matthew McAndrew)
The Panic Manual (Patricia)
TunesinTO (Ryan O'Shaughnessy)
Resonancity - "Dark horses": Toronto bands, non-Toronto bands (Richard Trapunski)

Who did I forget? . . .

Tuesday, March 09, 2010

CMF 2010: Where I'll Be.

Well, here's maybe where I'll be:

Note: This list does not include in-stores or after-parties or other parties and shows not really associated with CMF! See my preview posts for more details and links, and see the full festival schedule for everything else.

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Wednesday: Bonfire Ball @ Lee’s Palace

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Thursday: Timber Timbre (11), Dan Mangan (10), Sally Seltmann (9) @ The Great Hall

Thursday: The Rest (12) @ Painted Lady

Thursday: Times Neue Roman (2), Kidstreet (1) @ Sneaky Dee’s

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Friday: Postdata (9), Brian Borcherdt (815), and Julie Fader (730)@ The Music Gallery

Friday: Balthazar (10) @ Rancho Relaxo

Friday: The Acorn (11), Plants & Animals (12) @ Lee’s Palace

Friday: Think About Life (1) @ Lee's Palace
OR
Friday: Handsome Furs (1) @ El Mocambo

UPDATED - Music Gallery followed by . . . YYZ showcase feat. Madrid (11pm), vitamins4u (12am), Woodhands (1am) @ Wrongbar

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Saturday: Joel Plaskett (730) @ The Mod Club

Saturday: CHARTattack showcase @ The Horseshoe

Saturday: Brasstronaut (1) @ Lee’s Palace

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Sunday: Born Ruffians (10), Young Rival (9), Parlovr (8)@ The Phoenix

Canadian Music Fest preview: Sunday.

Canadian Music Fest (and Week) starts tomorrow, and I'm getting excited.


The last day of the festival is Sunday, and no doubt by then I will be crazy-tired. Except that I won't be because I will have cleverly paced myself. See my previews for Wednesday, Thursday, Friday, and Saturday, too. Phew!

SUNDAY (14 mar)

Born Ruffians, Young Rival, and Parlovr @ The Phoenix.
I will be here!! But I might be in the balcony to avoid the young kids at this all-ages show.

Collective Concerts presents Real Estate and Woods @ The Horseshoe Tavern.
If I didn't love Born Ruffians and Parlovr, I would be here!

More over at the festival's schedule.

Canadian Music Fest preview: Saturday.

I picked up my Canadian Music Week media pass today . . . woot! This week should be pretty fun, though I'll have to keep my head and try not to overdo things. Rain is in the forecast, so hopefully that won't be a problem.

I've done previews for Wednesday, Thursday, and Friday already. Sunday's (much shorter) post will be up soon. What are you going to go see?

SATURDAY (13 mar)

Peer Pressure DJs, 84.85, and Grand Analog @ The Drake Hotel.
I'm not usually one for dance parties (other than at the Boat) and hip hop, but 84.85 and Grand Analog are big fun. The rhymes start at 11pm.

Alright, so this is clearly the show to be at. There are no slackers on this list (at least up until the last band, whom I don't know), and some of my favourite bands, including the brilliant Two Hours Traffic, our own (by way of Ottawa) Balconies, the Wooden Sky, and Yukon Blonde, who are getting hotter by the day, at least if you read the music blogs. But since I've seen some of these bands before and don't know if I could deal with the crazy crowds at the 'shoe, I'll probably skip out. But you should go. The Balconies are also playing Friday at Criminal Records at 6pm, for free.

Catchy, soulful stuff. A friend of mine is the biggest Sweet Thing fan ever. And I've liked Brasstronaut in the past, and been told all sorts of amazing things about the first opener.

Joel Plaskett, more @ The Mod Club.
He goes on first, at 7:30pm. It'll be a short set, but no doubt a sweet one. (Sorry, that was lame.)

NeXT-at-CMW presented by Optical Sounds feat. Action Makes, Black Feelings, the Hoa Hoa's, Mutters, Revolvers, and Ostrich Tuning @ The Comfort Zone.
Might it be time to give in to the psychedelic sounds of local label Optical Sounds and friends? Bob loves some of these bands, but I just dunno. Hmm. This lineup is pretty stacked . . . .

What else?

The Thing Is, Maylee Todd & Pegwee Power, Shayne Zaid & the Catch, Elise LeGrow, and Anne-Lise Dugas @ Bread & Circus.
This showcase has a definite jazz feel. It's not the kind of lineup that's I want to stick around all night for, but if a change of pace is called for, this is a good bet. Maylee Todd and Elise LeGrow are the stand-outs here. Maylee's soulful pop tunes and infectious energy and charisma are sure to impress. Elise LeGrow fronts indie pop band Whale Tooth, but here she'll be singing jazz. The woman has a great voice, and is too sexy for words.

Two Way Monologues presents Hellsongs, Cut Throat Britva, the Speaking Tongues, Minto, That's the Spirit, more @ Rancho Relaxo.
Saturday is Rancho's rock night, but though I don't like rock, I can maybe see myself getting into locals Cut Throat Britva, the Speaking Tongues (always great), Vancouver's Minto, or the two quieter acts on the bill, Sweden's Hellsongs and Ottawa's That the Spirit. That being said, though, I'm unlikely to be seen at Rancho unless I find myself nearby with nothing else to do.

FACTOR Breakthrough Session feat. The Darcys, Artist of the Year, OPOPO, more @ Sneaky Dee's.
Solid acts in a good venue.

I love Meligrove Band so much. But I'm not so sure about the company they keep . . . you know how I feel about rock usually. However, if you're down with the rock, this seems like a great show! And in a pretty small venue. You may also like what's happening over at the Velvet Underground.

Lots more shows are listed on the main festival schedule.

Sunday, March 07, 2010

Canadian Music Fest preview: Friday.

Here's my rundown of what you might want to see on the Friday of Canadian Music Fest. There's not a lot that really excites me, but certainly more than enough bands worth seeing.

I've got my Wednesday and Thursday previews up, too.

FRIDAY (12 mar)

Sirius Satellite Radio Quebec showcase feat. Artist of the Year, Handsome Furs, Winter Gloves, Parlovr, more @ El Mocambo (First Floor).
The El Mo floor isn't really the best for dancing, but audience members will hopefully suck it up and get moving. If you're going for the more well-known HF, I recommend getting there early to see Parlovr. This Montreal band has just signed to Dine Alone Records, but more importantly is a band I think is super awesome. Like, they will grab your attention and not let go of your brain until they are finished with it. The dance party gets started at 11pm.

A very different show, this one features solo artists, including Ottawa's wunderkind Giant Hand, Victoria's talented Aidan Knight, Spain's semi-bizarre but perhaps arresting hyperpotamus, New York's lovely Sydney Wayser, and Vancouver's indie popster Winston Hauschild. A night full of surprises and no doubt some beautiful, astonishing moments.

This is one of the most talked-about shows in my circles, but honestly I only love the Acorn and TAL. But they are so amazing that it's totally worth dealing with potentially less-than-amazing other bands to see them. Or maybe the other bands will impress the hell out of me, too! (They are all good, but to my mind are in the shadows of their bill-mates.) Trivia: I spoke briefly to one of the guys from Oklahoma City's the Uglysuit in Berlin. The opened a show with Shearwater and Okkervil River, but I missed their set. He gave me a sticker.

Postdata, Brian Borcherdt, and Julie Fader @ The Music Gallery.
This will sell out, and it will be very nice. You will be sitting in church pews listening to quiet, contemplative music. Postdata is a new project from one of the guys from Wintersleep. Brian Borcherdt is one half of Holy Fuck, though there's not much point in me saying so because his solo music is really very different. When she's not fronting her own band, Julie Fader performs with Great Lake Swimmers, Chad VanGaalen, and other stars of the Canadian music scene. This show is one of the few small affairs that was curated to be an entire evening, so chances are you'll be around for all the bands.

Boats, Krupke, Balthazar (Belgium), Gypsophilia, more @ Rancho Relaxo.
Rancho's got 4am last call all 5 days of the festival, so each night is crammed with bands, not all of which any one festival-goer might be interested in seeing. (Though all of which were presumably chosen so as not to suck.) The three bands on this night that appeal to me most are Winnipeg's Boats whom I've had the pleasure of seeing a couple times in the past, Halifax's Gypsophilia, and Toronto's Krupke, neither of which I've managed to catch so far. For shame, I know. Balthazar are coming all the way from Belgium! Plus, they sound fun and will totally fit with the others.

What else?

Dan Mangan (11pm), We Are the City (10pm), more @ The Courthouse.
If you missed Dan M. and WATC earlier in the festival, here's another chance to catch them. Two other BC acts are on this bill, too.

Paquin Entertainment showcase feat. Christina Martin (Halifax), Brasstronaut (Vancouver), Ladies of the Canyon, Hannah Georgas (Vancouver), Techromancer (Vancouver), and Villagers (Ireland) @ The Drake Hotel.
A nice choice to spend the night at, though the first two bands on the bill don't really go with the rest. (CMF is often for show-hopping, though, so whatever.)

One Movement presents the Aussie BBQ feat. Dead Letter Chorus, Kate Miller-Heidke, Sally Seltmann, more @ The Rivoli.
I've mentioned all these bands in earlier preview posts. These and other Australian bands share a bill.

Pop Montreal and NeXT-at-CMW present VOWLS, Parlovr, The Peelies, PS I Love You, Diamond Rings, Gemma Ray (UK), The Name(Brazil), and Girl + the Machine @ The Silver Dollar Room.
Not every band is one I'd want to see, but there are a lot of impressive acts, including Diamond Rings, PS I Love You, and Parlovr. The Name sound like fun, too. If you haven't seen these bands, I recommend checking them out. The Silver Dollar's a good place to spend at least part of CMW.

Tim Perlich presents Ian Blurton's Happy Endings, Huron, Isla Craig & the Continental Drift, catl (between sets), more @ The Comfort Zone.
Four Toronto(ish) bands, beginning with the folk-jazz stylings of Isla Craig before quickly moving onto rock, rock, and more rock.

Travis Porter presents First Rate People, Corduroy, The Schomberg Fair, Arietta, Brett Caswell & the Marquee Rose, more @ Sneaky Dee's.
For me this bill isn't exciting, but there are some definite winners. Depending on where I'm at, I might drop in for Schomberg's midnight set, or Arietta's 11pm slot, or . . . you get the point.

This night includes too much rock for my liking, but other than the first openers---who sound too weird for me---I'd happily see any of these bands.

Lots more shows are listed on the big festival schedule.

Canadian Music Fest preview: Thursday.

Day two of Canadian Music Fest is Thursday, and it's a big night. Like I did for Wednesday, I'll tell you the shows that interest me and that might interest you.

THURSDAY (11 mar)

The Drake presents Hooded Fang, Forest City Lovers, Low Level Flight, and Digits @ The Drake Hotel.
This is the early portion of the night. As per the Drake's regular M.O., the electro-DJ type stuff takes over starting at midnight, so if you're keen on the indie bands, solo bedroom-electro-pop artist Digits starts the night off at 8pm. LLF seems a bit out of place on this bill, but certainly not a bad choice. Hooded Fang and FCL are two of the best lesser-known bands this city has to offer. Both should release full-length albums later this year.

One of the best lineups of the festival, featuring a whole bunch of bands that are on the up-and-up. While the harder rock of CMTM doesn't excite me, I totally approve of the others on this bill. Enough variety to keep things interesting, and enough talent in the mix that you just may end up seeing your new favourite band. Download a free preview mix here.

Timber Timbre, Dan Mangan, and Sally Seltmann @ The Great Hall.
This is one of the shows of the festival, featuring the hotter-than-hot Timber Timbre who hasn't played in Toronto for a while, the hotter-than-hot Dan Mangan, who makes audiences swoon, and the no doubt hotter-than-hot Australian singer Sally Seltmann. The night's been programmed to make sense as a whole, and in the newly-renovated Great Hall, it might be spectacular. The bands are on at 9, 10, and 11pm, leaving time to hit up other shows afterwards.

CHART mixes things up quite a bit, which I'm cool with 'cause it makes for an interesting, happy night. Nothing on this list offends me, and some of these bands are great. The lineup makes it worth camping out here all night, especially if you haven't seen these bands before.

Windish Agency showcase feat. Rich Aucoin, Little Dragon (Sweden), Neon Indian (USA), Speech Debelle (UK), and New Look @ Lee's Palace.
I just have a feeling about this one, which features a few international acts. And if you go, definitely stick around for Rich Aucoin. Why? That's why.

Carey Kurtin & Dan Burke present NeXT-at-CMW feat. The Ghost is Dancing, Nightmare Air, Still Life Still, Dinosaur Bones, Songs from a Room, and the Treasures @ The Silver Dollar Room.
Dan Burke's tastes tend to be a little harder than mine, but the man has a good ear for pop and indie rock. I probably won't go since I've seen a couple of these bands recently, but this lineup is solid and at least a little exciting, depending on your tastes.

WeGotTheMovement presents The Musebox Showcase feat. Green Go (DJ set), Times Neue Roman, Kidstreet, Parlovr, Everything All the Time, the Elwins, Language-Arts, and Hellsongs (Sweden) @ Sneaky Dee's.
My oh my, what a great list! No idea about the first band, but all the others are worth checking out. Things start off a bit quiet, twee, and cute (Hellsongs, L-A, the Elwins), but then move onto soulful (EATT) before hitting brilliant (Parlovr), and ending with a few sets of fun electro pop tunes.

What else?

Fields of Fur is a new bands from Holy Fuck's Brian Borcherdt (and it sounds nothing like HF). Diamond Rings is the solo project of John O'Regan from the D'Urbervilles, and his electro jams sound nothing like his rock band tunes. The night ends with hip hop, and begins with R&B indie rock. Kinda weird, but could work.

M for Montreal / CMF presents DJ Champion & his G-Strings, BEAST, and Misstress Barbara @ Guvernment.
Three Montreal bands come to town to make us dance. And, though I don't like the Guvernment's location, I gotta say I like the space. Might well be a fun show, but I'll likely opt for something smaller.

K-OS, Woodhands, and Saukrates @ The Opera House,
Ok, so Woodhands is my favourite live band, but I can't get into hip hop, and I can't get into the Opera House. But this might be awesome for you!

The Rest, Sydney Wayser (NY), more @ The Painted Lady.
This is a weird bill, but these two back-to-back sets ought to be lovely. If you're overwhelmed by loud rock or electro pop or whatever, and you need pretty voices and light melodies, this is where you need to be. The Rest is on at midnight, and Sydney opens at 11pm.

Lots more listed on the main festival schedule.

Canadian Music Fest preview: Wednesday.

Canadian Music Fest (part of Canadian Music Week) is nearly upon us. The first official night is Wednesday, so that's where I'll start. There are a LOT of bands playing, and most of them I've never heard of. But I do know some good Toronto (and other bands), and I'm in the process of listening to MySpaces right now in hopes of uncovering some other good bets.


So, given my own tastes (which does not include any sort of "alternative rock," for example), here's what I think might be good bets.

WEDNESDAY (10 mar)

If you missed Fucked up a couple weeks ago, or just want more. Tropics, Slim Twig's other band, is weird-good, and the others . . . well, I'm not so familiar with, but I've enjoyed L:M in the past.

Bonfire Ball feat. Zeus, Jason Collett, and Bahamas @ Lee's Palace.
This will be a top-notch show from start to finish, including two of my favourite bands, and Jason Collett, whom I am less familiar with, but whom I'm told is awesome. Plus, Lee's is a great place to see a show. Should be a good time.

Definitely the best "folk" showcase on Wednesday night, feat. the excellent WOM, a couple Australian acts who sound pretty good, and a couple more Canadian bands to round things out. If you've seen too much of the Bonfire Ball folks and you're up for a much more intimate evening, this is the show to be at.

Vivian Girls (NY), Male Bonding (UK), and Molested Youth @ Wrongbar.
Punk! These are quality bands, I'm told. Vivian Girls have been pretty buzzy for a while now. Not my scene at all, but that's ok.

EYE Weekly Opening Party feat. CFCF, Parallels, DVAS, and Styrofoam Ones @ The Roosevelt Room.
For those of you who want to get things started with an electro dance party. If this isn't great fun, I'll be astonished.

What else?

Ha! Perhaps too mainstream-rock and too nostalgic for me, but could be a lot of fun. The openers are definitely worthy of checking out, especially Kate M-H from Australia.

FACTOR Breakthrough Session feat. Eddie Orso, Tin Star Orphans, Great Diviners, Ruth Minnikin, and Ben Somer @ The Cadillac Lounge.
Country music bands, and good ones, too. But a little too low-key for me.

FACTOR Breakthrough Session feat. The O'Darling, Kyra & Tully, Kalle Mattson, more @ The Central.
The bands I've listed are the ones I have some familiarity with, and would be happy to check out. Quieter, folkier stuff. If the Central and the Painted Lady were closer to each other, I'd suggest show-hopping.

The Wilderness, Adebisi Shank (Ireland), Pick A Piper, Ace Kinkaid, and HotKid @ Rancho Relaxo.
A variety of indie rock bands, including the solid Wilderness and HotKid, the instrumental math-pop-rock of Adebisi Shank, the jammy-percussive Pick A Piper, and more.

Lots more listed on the main CMF schedule.